[PDF.28om] The Captive Stage: Performance and the Proslavery Imagination of the Antebellum North (Theater: Theory/Text/Performance)

In The Captive Stage, Douglas A. Jones, Jr. argues that proslavery ideology remained the dominant mode of racial thought in the antebellum north, even though chattel slavery had virtually disappeared from the region by the turn of the nineteenth century—and that northerners cultivated their proslavery imagination most forcefully in their performance practices. Jones explores how multiple constituencies, ranging from early national artisans and Jack...

You can specify the type of files you want, for your gadget.The Captive Stage: Performance and the Proslavery Imagination of the Antebellum North (Theater: Theory/Text/Performance)   |  Douglas A. Jones Jr.. Which are the reasons I like to read books. Great story by a great author.

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